Wednesday, January 30, 2008
Dutchess County Community Television
I've got to be right up front about PANDA. To me it's the best thing since apple pie, living in Rhinecliff and tennis. The PANDA I'm so gung-ho about isn't the cuddly bear, although long ago some wry animal lover may have made the connection. Rather it's the acronym for Public Access Northern Dutchess Area television.
Channel 23's mission is to bring broadcasts of town and village public meetings and school events as well as talks offered by such organizations as the historical societies and libraries to residents of five municipalities — the towns of Rhinebeck and Red Hook and their three villages, including Tivoli. Equally important, it is a vehicle for residents to get their ideas and opinions before the public eye, either in the form of a self-generated program or in a public discussion set up by Panda. A full spectrum is welcome, be it hobbies or work, politics or religion, sports or dog care.
What makes me so enthusiastic about PANDA is that it enables the municipalities to understand each other without encroaching on their very different histories and characters. In practical terms, PANDA can give each a solid basis for working together on projects of mutual interest, from confronting the State Department of Transportation to merchandising local farm produce. Acting in concert, it seems to me, can only save time and taxpayer money. Besides, cooperating is a neighborly thing to do. As the saying goes: It takes two hands to clap. With four or eight or ten clapping together, there's no limit to what can be achieved.
PANDA, of course, is not a new invention. In fact, shortly after it began broadcasting in the early 1990s, it received accolades for its diverse programming. Many readers will remember that municipal meetings were augmented by such first-class entertainments as Patrick Higgins's witty interviews of local movers and shakers and Tom Daley's fascinating talks about Hudson River places, illustrated with his own and vintage photographs. Recently the programming fell off and PANDA suffered a slump. Happily, that phase is now over and done with.
Thanks to the unstinting efforts of a group of first-class television professionals who live in the community, PANDA is enjoying a renaissance that gains momentum every day. Here, for instance, is a sampling of the programs it broadcast just before AboutTown went to press: the village of Tivoli and the towns of Red Hook and Rhinebeck board meetings; Rhinebeck High School football and volleyball matches; Tivoli Talks, Tom Daley's delightful historical review; and two documentaries — World's End: A Brief History of the Hudson River Highlands and the beautiful Hudson River: An American Paradise, featuring such local experts as Winty Aldrich, Barbara Bielenberg and John Cronin.
During the recent municipal election, members of the Red Hook High School's popular communications club filmed the debate of 12 Red Hook candidates for public office under the guidance of PANDA board members. Although the club of some 40 members produces Wake Up Call, a live news program, every morning school is in session (it takes up to 15 students to do it), this was the first time the students had worked with high-ranking professionals. Colin Mackey, a 10th grader who manned one of the three cameras, told me it seemed pure chaos at the beginning, but that once underway, he learned far more than he imagined possible. Alannah Gallagher, an 11th grader who also ran a camera and is planning a career in television, was excited to learn the quick ways the professionals solved the same sort of problems that confront students. Matt Bildzok was the switcher — the person who decides when to move the shooting from one camera to another. He, too, was thrilled by first-rate tutelage. For PANDA board member Mark Durand, ESPN's top developer of original entertainment, who ran the session, going back to his early days as a cameraman was a lot of fun; to him and to Robert Stone, an independent documentary producer who was also in on the session, the most satisfying thing they can do is pass their expertise on to young people. On the strength of PANDA's success with the Red Hook club, Jeff Romano, a seasoned creator of TV commercials and volunteer in virtually every aspect of PANDA's renaissance (including the packing and moving), is now working with the Rhinebeck school to expand its television capabilities. Oh how I wish I could be a high school student again!
Upcoming programming will be even more adventurous. Patrick Higgins is dreaming up a novel interview series, and Tom Daley expects to be back with new shows about other historic places in our area. John Vincent, who has been filming historical society and library talks for some time, has tapes galore that could form the basis of a fine set of programs. Long time Rhinebeck resident Sam Hall, a renowned writer of soap opera scripts (readers who go back as far as I do will remember Dark Shadows, one of his triumphs) has emerged from retirement to create a Rhinebeck soapie that, as I write, is being produced for PANDA using local sites and local actors. And who knows what that splendid raconteur Richard Biezynski, proprietor of Northwinds all-natural poultry farm, will come up with. I personally hope it will be a farm program that traces the path of local agricultural products as they make their way from good rich earth to our dinner plates.
Originally working out of the Rhinebeck Performing Arts Center, then stashed awkwardly behind curtains at the Rhinebeck Town Hall stage, PANDA at last has new quarters. Its studio occupies a red barn on Montgomery Street in Tivoli across from the Santa Fe restaurant's parking lot. (The barn was once part of the stable complex of the erstwhile hotel on the corner and was probably used to house the feathered contenders in Tivoli's famous cockfights.)
Fascinated by how the operation works, I've returned to the studio several times. On the surface it is so simple it's hard to imagine how much wings forth from it. Most of the transmitting mechanism resides in a closet. Stacked in a tall rack on shelves no more than 20 inches wide and 12 inches deep, it doesn't begin to fill the closet. Small, seemingly random blinking lights flitter over the surfaces of the boxes indicating that material is being brought in and sent out. Along with a few looping wires, that's all there is to it. As an uninitiated paper-and- pencil type, I find the process totally mesmerizing.
All the preparatory work is done in the big studio. Eventually the room will be set up to accommodate live broadcasting as well as taping. Right now, there is one monitor, one television set and two to four computers, depending on how many volunteers are working on special projects. A long, rectangular worktable and a sprinkling of comfortable and not so comfy chairs complete the furnishings. Seems peaceful, but to Bill Nieves and Kate Braun, who run the programs, it is whirring with action. They look forward to the day, fortunately soon to come, when most of the transmission process will be automated, freeing them up to tackle a long list of improvements designed to make the station better and better.
Another promising attribute of the barn is that it is set back from the road — in bygone days a parking lot for carriages and wagons, I suppose. The current plan is to use that space for a public forum where walkers-by can put on camera whatever thoughts interest them at the moment. In the cold weather it could come indoors. I've aready heard fleeting remarks about staging a discussion group there called "The Long Table." VoilĂ , still more participatory programs!
Right now, a number of steady viewers told me, PANDA has two faults. Fortunately both are temporary. One is that the schedule of programs, which scrolls down intermittently, is hard to read. The second is that PANDA reaches only homes and businesses with Time-Warner cable access. Those with satellite dishes or beyond the reach of the cable are out of luck. Both these problems should be solved soon, perhaps by the time you're reading this. Isabelle Burkhart who is designing PANDA's new website, tells me it should be up and running by Thanksgiving. There on any computer screen, the schedule will be presented in a clear, easily readable way, and those who do not have TimeWarner cable will have access to PANDA programs directly.
Indeed, that is only the beginning of what the website will offer. It will also present a current calendar of community events, created by Chris Garza. The calendar will be constantly updated as news of coming events are sent in and as , wonder of wonders, events that have taken place are removed. In addition, the website will offer e-mail notification of when favorites are coming up, archives of past programs, and links to the municipalities' websites and to the websites of local organizations and institutions. Meanwhile, if you can't visit the PANDA studio, here's how you can contact it: by phone at (845) 757-2632, by e-mail with stationmgr@Panda23.org, and (soon, if not immediately) on the web at PANDA23.org.
Kathy Hammer, who heads up the group, told me that their bedrock mission is to upgrade PANDA continuously as a means of communication among citizens of the five municipalities. The role of the media professionals, who are our neighbors, is to help anyone with the nitty-gritty work of filming and putting a program together — whether on sports, politics, religion, the arts, local history, birding or insect lore.
PANDA is a non-govermental organization. The municipalities originally funded PANDA's launching and from what leaders have told me will continue to do so with enthusiasm. But the municipalities cannot go the whole way. Contributions from the public in the form of volunteer work and money will be needed. Do whatever you can do when the call goes out. But whatever you do, stay tuned in to PANDA TV23. You'll be informed, entertained and amazed.
Digital Green
I am wondering how this kind of project compares to video sharing sites like youtube or archive.org (which Aidan posted). These sites are indeed "for the people-by the people" and enable anyone to access video information, but they don't quite have a good ranking system of helpfulness or accuracy of information. Has the Internet, as a whole, become the life database of Americans? Who has the greatest agency in this search? I'd like to know what you all think of the implications of a project like Digital Green and how increased access to information can in the future result in an unnavigatable mish mosh of good and useless content.
Like, we all came up with great websites about media being used in interesting ways, but how easily are these sites stumbled upon and where does one go to find them? I guess this post has ended up questioning the Internet and its grand scope and navigational difficulty, but I wanted to bring up the increase in access to media tools in other parts of the world and where they might go in the future. For instance, what would happen if all farmers in India could search and post to youtube?
-Brittany
Philebrity
-Asher
supermamasan
Tuesday, January 29, 2008
Sugary/The Lenny Saver
Sooooooo I see that someone posted about the Internet Archive already - bummer. But there's something about it they didn't mention that I thought was an interesting addition to our discussion. One of my favorite features of site is its extensive Live Music archive. After The Grateful Dead paved the way for legal taping and distribution of live concerts, a grassroots network of Deadheads began trading cassettes to spread the music of their favorite band. And many other acts followed suit. In this age of illegal downloading and piracy, I find it so interesting that there is a live music archive being digitally maintained by the library of congress that allows music fans to explore different genres, different artists and different performances in either streaming or download formats. It is only fitting that The Dead's ENTIRE CAREER is available on the site.
And now for something completely different. I think that every class at Vassar needs to employ (if not Start with) "The Simpsons-" a show that has explored virtually every aspect of American Pop Culture in its 20 year run. I thought this episode would be a fun and poignant introduction to independent media. In "Fraudcast News," Lisa Simpson remains the only holdout as the Evil Mr. Burns buys out all of Springfield's media outlets. Enjoy:
http://rapidshare.com/files/44191146/S15E22_20Fraudcast_20News.mp4
- Evan
ning!
My friend Katie, a sophomore at Columbia University, is organizing a rally for students supporting US withdrawl from Iraq. She is working through the Columbia Democrats, but the plan is to involve students from throughout the east coast. I'm going to be "stage managing" the event, as well as helping solicit a Vassar contingent. You will probably all hear me bugging you about attending as it gets closer.
But how does this relate to alternative media? I'm glad you asked! Katie has used a social networking site called ning.com to create a network for people who want to participate. Ning allows people to make social networks in the style of Facebook or MySpace, but about anything. I think the site is a great activist organizing tool. The multitude of applications (groups, video posting, blogs, discussion boards) really cater to this kind of work. You can check out Katie's site about the rally at ouofiraq.ning.com. A lot will be added in the coming months, so keep an eye on it!
~julia
PS - I really encourage you to join the site, get involved, and attend the rally, which will take place in New York City on April 6th in Washington Square. I'm sure I'll be talking about it more and more as it gets closer, but feel free to talk to me if you have any questions.
Midwest Teen Sex Show
In a cultural climate where so many themes concerning sexuality (particularly teenage sexuality) are considered too taboo to approach, particularly in a constructive dialogue between adolescents and adults, I think the Midwest Teen Sex Show video podcast series provides a really valuable service.
The show is the brainchild of two collaborators (working in their homes and outdoors with a camcorder and some editing equipment), whose goal in making it is to respond to kids’ questions about basically anything related to sex and sexuality, many times on topics kids will not raise with health ed teachers and parents. The show acknowledges that many teens are exploring sex and that many teens have questions, and that there is a lot of misinformation, damaging information, or no information about things that will help them make responsible decisions about their bodies and sexual wellbeing, and adjust their attitudes towards others’ bodies and sexuality.
Beyond the typically subversive content of the show, the show’s producers have embraced an equally subversive video-making process where the viewers’ questions and comments are used to inform the production of each following show. Compared to the usual process whereby the content of televised programs is decided by TV executives, this show’s production process is interactive and responsive. Nikol, the show’s narrator, invites people to email her their questions, and as often as possible the crew creates new shows in response to those questions. Each episode also has an open list of comments people have sent in right below the video. This feedback process adds to the show’s overall alternative approach to Sex Ed, the video-to-text-to-video conversation format proclaiming that issues related to sex and sexuality should be continuously discussed an reflected upon, whomever, wherever, whenever. The show’s goal is therefore achieved through both content and form.
The show has its problems in that many episodes have small clips that are really problematic/offensive and require critical attention, but the creators’ enthusiasm for interaction on their website gives me hope that they are willing to hear the criticism and respond in a constructive way. Anyway, definitely watch some episodes and tell the youngsters.
How the heck do you define "alternative media"?
Well, what Michael Albert says is that really anyone can call themselves alternative. It's has no really strict guidelines, but if he had to give an outline of what makes alternative media he would say that alt. media:
----doesn't try to maximize profits
----seeks broad, non-elite audiences
----independent of other social institutions
First of all, do you guys think that this is a fair list? Should there be things added or subtracted from it?
Also, this last point (of being independent of other social institutions) is emphasized on page 23 of Hand Held Visions, in which DeeDee talks about the Media Alliance set up outside of the public television station. Halleck writes, "maintaining a vision of a liberatory media [has] created alternative institutions in an authentic media alliance. It is in this community effort that our creative abilities, vision, and opinions will be able to develop uncensored and thrive to their fullest potential" (23).
Do you agree with DeeDee? How important do you guys think being independent of other media corporations is to the success of alternative media?
---Jason
vassar island
this may come as no surprise to many of you, but there's a little video spy hanging out somewhere on the libs. that one dude (ken bolton) from the media cloisters has some choice words to share about the matter. you can check it out at his blog, bscientific.
soooooo, i'm curious -- how many of you already knew about this surveillance? if so, how did you hear about it? or even if it's your first time, how does it make you feel?
- anh
Monday, January 28, 2008
Creative Commons
For example, a singer-songwriter could get a Creative Commons license that allows others to distribute and play his/her songs - and any derivative works based on the songs - but only for noncommercial purposes. Another singer-songwriter could opt for a license that allows his/her original works to be distributed or performed by others but would not allow people to derive other works from his/her originals. The website does all the work for you, for free. You simply select which type of license you want and it will give it to you in three forms, a plain-language summary, a fine print version that can be used in court, and in digital code so that online applications can identify your work by its terms of use.
This is a short video from the site that explains the process with more clarity (and animation) than I just did:
There are a bunch more videos on the site.
These licenses are a great option for not-yet-established artists who want to get their work out there without giving it away completely.
One fairly well-known YouTuber who uses a Creative Commons license? Tay Zonday of "Chocolate Rain" fame.
- Allison
The Internet Archive
The one I’m actually most familiar with is the Prelinger Archives, an organization whose online database is located at IA. The Prelinger Archives specialize in collecting and sharing what they call “ephemeral” films: corporate instructional films, amateur film, advertisements (the sorts of obscure footage that gets dug up for so many documentaries). The video below is posted along with all their other videos on the site and gives a good overview of the aims and history of the project (it also has a pretty well-chosen mix of the variety they provide). What’s most interesting to me about the project is how they’ve put most of their footage into the digital public domain using *creative commons* licenses and encouraged individuals to download and use the footage in whatever way they want. So check it out. It’s just the tip of the iceberg. IA has a ton of other contributors which are also worth looking at (and posting on, this post should by no means exhaust the whole Internet Archive).
Here’s the video (I tried embedding it, but it didn't seem to be working).
-Aidan
The Fancy Broccoli Show
Juliana
Iraqis filming Iraq
The site is run by Brian Conley, a 26-year-old American journalist and film-maker, who worked in Baghdad long enough to train and equip independent Iraqi journalists to produce a short video news clip each week, uploaded to the site every Monday. Since winning a number of video blogging awards after its launch in 2006, Conley's expanded to Mexico with a sister site, Alive in Mexico, covering "everything from street battles in southern Mexico to Mexican culture and history." He runs the site out of the States, escaping from what he described to the BBC as "'live from' journalism."
"Essentially, there's something lost when you send someone from another part of the world, or with a specific audience in mind, to tell another individual's story.
We are striving to build journalism in the voice of locals, so that people in different parts of the world can communicate almost directly to their audience around the world."
The site's been in the red for a few months now, surviving on online donations, so it's no threat to big foreign bureaus yet. But given how much outlets like the New York Times and CNN rely on local stringers in Iraq, it raises questions about training locals to produce their own news versus relying on them to file reports for an American audience. Besides, where else can you watch video about Iraq's gold markets, or Little Baghdad in Damascus?
- Freddy
(with my blog from Egypt, Cairo Post)
Sunday, January 27, 2008
alternative media on alternative media
Anyway, aside from advertising my favorite form of alternative, public access radio, I wanted to talk about one specific episode I listened to the other day called “Act V” (also can be found under Our Favorites.) The format of the show is typically broken down into several acts which are all connected by a general theme. Each act tells some kind of story, whether that is in fact a work of fiction read by its author or a documentary-style look at some guy’s experience with something or other, etc. It’s casual, reflective and most importantly for our class, mundane in the best way possible. So this episode is about a woman who directs a group of inmates convicted for murder in a production of Hamlet. Needless to say, the style of the play is alternative, it’s not about celebrity or class or status and in an incredibly poignant way, it’s not even about acting. As the episode does an excellent job of describing, these are actually murderers playing roles they’ve already performed. It’s fascinating. I won’t gush on. Just listen to it.
abra
freerice.com
I couldn't help but relate this website to the global Facebook groups that would donate a certain amount of money for every 10,000 people who joined. Interesting phenomenon, I would say.
Riffin.com
Liz
Friday, January 25, 2008
deadline hollywood
alana
Stay Free magazine
-Laura
The Real News
http://therealnews.com/web/index.php
-jon
Firebrand
-Lindsay Kozlowski